Bob Seger’s “Old Time Rock and Roll” served as one example as he chose his side while artists like Billy Joel couldn’t seem to care less, at least according to what he shared in “It’s Still Rock and Roll.” Those rifts also existed among recording artists. This caused an interesting rift among fans that looked like their choice of musical preferences also meant choosing a cultural subdivision. Drawing LinesĪlthough changes in music were nothing uncommon, what did stand out the most was the function and form that saw various brands of rock music play a significant role in certain social movements. The British Phonographic Industry certified it silver. Certified platinum five times over, Moving Pictures also became a four-time platinum seller in Canada. It also became the group’s most successful as it sold over five million copies in the United States alone. The material for it began in August 1980 with the focus to produce more radio-friendly songs that would sport tighter and shorter song structures compared to the band’s previous recordings. Moving Pictures was the eighth studio album that came from Rush. As a trio, Geddy Lee, Neil Peart, and Alex Lifeson got to work as they put together their most ambitious album to date. The music industry as everyone knew it at the time was in the process of undergoing a profound change. That schedule was originally meant for Rush to record a live album.įrom Rush’s point of view, the musical styles that began to influence the 1980s saw there were notable differences between each performer. This resulted in the cancellation of a two-year schedule that was already put into place. So inspired to do this album, Rush pitched a proposal to the band manager and producer. At a time when rock music was heavily divided, Moving Pictures was an album that came with the core of its meaning focusing on the importance of literally focusing on the bigger picture. When Rush delivered Moving Pictures as an album in 1981, it was met with favorable reviews from both fans and music critics.
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